I mentioned to my wife the epithets of the Goddess in hymns by the
Kashmiri sage Abhivanagupta, in which he addresses her as “Fair-hipped One,”
and “Lady of Fair Hips.” Margaret’s comment (a midwife’s perspective) is that
women with wide hips are able to give birth more easily—therefore, such
epithets invoke the Goddess as a fertility image.
Victory
to the Mother reads well. I love the poem that
praises the Divine Mother: “O one whose hands and feet are everywhere, whose
eyes, head and mouth are everywhere…etc.” I have always liked this image of
“the Cosmic Person with infinite eyes,” which I have come across in other
hymns. Friends of mine recently had a baby boy and I sent a congratulatory
haiku:
Wide-open Buddha
Milky Way has two new eyes!
Moon glow on fresh snow.
In the introduction to Seeking
Mahadevi, Ruth Erndl writes, “The statement ‘God is a woman,’ simply would
not have the shock value for Hindus that it would for Christians, Jews or
Muslims.” I was raised as a Jew, and I first came across the conception of the divine
as Mother when I was nineteen and I read Yogananda’s Autobiography of a
Yogi. It struck a deep chord in me that has never stopped reverberating. Maybe that is why, even though I had practiced
Zen for twenty years and had never performed any kundalini yoga techniques, the
life-energy ignited in me spontaneously when I was 41, while simply standing on
my balcony musing about the divine. For several months, it took me on an
irrepressible tour through the chakra system (what a ride!) and it has been a
felt and potent force in my body-mind ever since. I have turned to the study of
kundalini and Goddess worship retrospectively as a way of better understanding
my own psychophysical process. At the same time, I have remained grateful to my
Western scientific heritage (that is, I have not abandoned the metaphors of
science in favor of the metaphors of religion, but have tried to glean
the truth in both descriptions of reality). Therefore, it is not without
sympathetic devotion that I have read academic textbooks about Ma Shakti. This
is one of the reasons their tendency toward scholarly dryness is both
frustrating and humorous to me. Victory to the Mother offers a more
experiential tone, and it was fun reading about pilgrimage adventures.
Ruth Erndl defines Shaktism as “the worship of Sakti, the
primordial power underlying the universe, personified as a female deity who is
the Supreme Being, the totality of all existence. As such, it stresses the
dynamic quality of the deity as both deluding and saving power.” Maya is both
the power that deludes through identification with its endless forms, and the
power that reveals the emptiness of all forms (and the mysterious identity
of form and emptiness). As I said in an earlier paper, ya gotta love that gal!
I enjoyed Erndl’s
exposition of Goddess theology—“a kind of monism in which matter and spirit are
not differentiated but are a continuity subsumed within sakti, the
dynamic feminine creative principle…Shakta theology understands sakti,
identified with the Great Goddess, to be the ultimate reality itself and the
totality of being.” The greatest gift that Shakta traditions offer us, in my
opinion, is this vision of the unity of consciousness and world. Not the
doctrine that reality is reflected in the universe, which makes of the universe
a phantom, an illusion, a stepped-down imitation; but the intuition that
Reality is being the universe, which enjoys the whole universe as
the body of spirit, the incarnation of the Beloved. Put another way, the former
view (Advaita Vedanta, etc.) generates a longing for return to reality
(as if the purpose of life is to return to its source.) Whereas, in the
latter vision, source is never absent, but only present. Therefore, there is no
dilemma, and we are free to love this. As they say in Zen, “Just this
much.”
This brings to mind a Hasidic tale of a poor woodsman who fell in
love with the King’s daughter when he came upon her bathing in a river. He
declared his love to her with such passion and sincerity she was moved to
tears. “Lover,” she said, “it is only in the cemetery that I will one day be
able to join with you.” She meant, of course, that only in death could a
princess and a woodsman become equals. Nevertheless, the young man, beside
himself with adoration, took her words literally and went to the cemetery to
wait for the princess to appear.
Day after day, as he waited, he thought of nothing but his
beloved, contemplating her lovely form and qualities. This led him to feel
grateful to her ancestors, who had made possible her birth, and to meditate on
all the elements that supported her life. His appreciation expanded to include
vaster spheres of being that gave life to the woman he loved, until, at last,
it seemed to him that the One who was his Beloved was the very universe itself.
Kabir points to this understanding when he asks in one of his
poems, “O tell me: Who have you loved your whole life long?”
Along these same lines, Erndl speaks of the sakti pithas, and “the
worldview that the Earth itself is considered sacred and the deity embodies
herself in earthly form.” Morinis says, “even at the most lowly, form-bound
level, the goddess is simultaneously her cosmic, formless self, and in that
cosmic, characterless aspect, she is still Durga, Kali, Tara, Uma and the
rest.” You then comment, “This paradox defies distinctions between monotheism
and polytheism, spirituality and materialism, ‘great’ and ‘little’ traditions.”
Wonderful! For years, I have regarded myself “bi-spiritual” because I seem
to relate equally well to non-theisms, like Zen, and devotional theisms, like
Devi bhakti.
Seeing spirit as matter, and consciousness as every natural
process, it becomes easy to agree with Neem Karoli Baba’s saying: “The best
form is which to worship God is every form.”
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